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Geash Chap. 4Gooey-Earth: Adventures of Slimy Heroes
Chapter 4: Fusion
The Fusion is a nice way the inhabitants of Gooey-Earth have to show their love to somebody. It's a process that manages two or more Gooey People to merge their bodies together, making a only huge creature. It's also the mating's system of Gooey-Earth's people.
Nita the Tar She-Bear lives into a huge Tar Pit with her beloved husband, Kenai, and their little son, Koda.
Nita wakes up.
"Wake up, boys! It's another gooey day!" says yawning.
"Goo morning..." reply Koda and Kenai with a big yawn.
Nita wants to cook a very special Cake, but she still needs an important ingredient.
"I'm going to prepare the breakfast. You two go to the Mud Pit and take some Mud."
Meanwhile, she starts to impaste Honey, Chocolate and Fruit Taffy for the Cake.
"My sweet Kenai...I'll prepare for him the best breakfast he has ever eaten!"
Short after, Kenai and Koda return with the Mud.
Nita thanks them with a hug.
"Very nice! With this mud, I
Geash Chap. 3Gooey-Earth: Adventures of Slimy Heroes
Chapter 3: Wild Goo
In the Chocolate Cream Woods live the Wild Goo, wild animal covered of goo and act and talk like real animals; also, they walk on all four legs. They are very friendly creatures, but...they have a strange power....
One day, Ellinor the Chocolate Cream She-Bear, together with her husband Fergus and her daughter Merida and her siblings Hubert, Harry and Hamish, are licking each other in order to have Chocolate Cream to eat when they hear a strange noise coming from not so far. Then, they rapidly go to hide.
Few minutes later, Little John the Cemented Bear arrives. He's here to gather some Chocolate Cream from the Trees to bring it to Maid Marian and Robin Hood the Gluey Foxes.
"Here, with this Chocolate Cream Marian and Rob will surely prepare a delicious Cake!" says happily.
But when he's going to go away, he hears a sound coming from above; he looks up and sees Ellinor & family watching him.
"Good morning to you, bug guys!"
The TrundlerThe waste land behind the fire station is always silent. No birds sing there, and even the wild rabbits and feral cats avoid it. Weedy wildflowers nod their seasonal heads in the breeze. Lying fallow in the midst of housing developments, shopping malls, the new movie theater — the vacant lot stands out like a knife wound on a woman’s placid face, shocking, brazen, ugly.
It is always empty. Except for one thing: a ragged heap of old trash, all nasty black tar paper and vicious snarls of rusted wire, car parts and broken glass and other junkyard jetsam. The embodiment of injury waiting to happen, an invitation to a tetanus shot... the city never hauled it away. No one ever wants anywhere near it; it radiates an eerie sense of calculating watchfulness.
And at night, it wanders.
When darkness falls, and the last cars heading into the hives of tract housing stop illuminating the asphalt with moving-picture shadows, it… unfolds. Bitter, broken tangles, grotesquely mov
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